Two Sisters (On the Terrace) by Pierre-Auguste Renoir

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Two Sisters (On the Terrace)

Pierre-Auguste Renoir · 1881

Artist
Pierre-Auguste Renoir (French, 1841–1919)
Date
1881
Medium
Oil on canvas
Size
100.4 × 80.9 cm (39 1/2 × 31 7/8 in.); Framed: 119.1 × 100.1 × 9.6 cm (46 7/8 × 39 3/8 × 3 3/4 in.)
Made in
France
Style
Impressionism
Where to see it
Art Institute of Chicago

Mr. and Mrs. Lewis Larned Coburn Memorial Collection · CC0 Public Domain · Art Institute of Chicago · image via Wikimedia Commons · see it at the museum ↗

Notes from the museum

Pierre-Auguste Renoir considered the Restaurant Fournaise in Chatou (a village along the Seine River) the perfect spot to enjoy nature and good company away from the urban distractions of Paris. His painting Two Sisters (On the Terrace) , which he exhibited at the Impressionist exhibition of 1882, is among the last of his paintings set there. Sometimes, as in his most famous work on this subject, Luncheon of the Boating Party (1882; Phillips Collection, Washington, DC), Renoir used his close friends as models. For Two Sisters , however, despite the title of the painting, he paid unrelated models to create this intimate and perfectly balanced pairing of youth and nature. The older girl, wearing the blue flannel of a female boater’s outfit, sports a luxurious red hat, but it is her younger companion who captivates. Her oversize headdress composed of a floral bouquet is echoed in the brightly colored skeins of yarn in the basket that she gently touches. As was typical for the artist, Renoir painted the faces of his models with controlled and precise brushwork creating a porcelain-like surface that contrasts brilliantly with the diaphanous, impressionist backdrop of river, boats, and blossoming trees just beyond the railing of the terrace.

Text: Art Institute of Chicago (open access). Our full story for this work is coming soon.

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About Pierre-Auguste Renoir

Pierre-Auguste Renoir was a leading French Impressionist artist. In his depiction of feminine beauty, Renoir has been described as "the final representative of a tradition which runs directly from Rubens to Watteau."

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