
Tip: move over the painting to use the lens.
Te raau rahi (The Big Tree)
Paul Gauguin · 1891
- Artist
- Paul Gauguin (French, 1848–1903)
- Date
- 1891
- Medium
- Oil on jute canvas
- Size
- 72.5 × 91.5 cm (28 9/16 × 36 in.); Framed: 96.6 × 115.6 × 11.5 cm (38 × 45 1/2 × 4 1/2 in.)
- Made in
- France
- Style
- Post-Impressionism
- Where to see it
- Art Institute of Chicago
Gift of Kate L. Brewster · CC0 Public Domain · Art Institute of Chicago · image via Wikimedia Commons · see it at the museum ↗
Notes from the museum
“Everything in the landscape blinded and dazzled me,” wrote Paul Gauguin of his first months in Tahiti. Here, he showcased the island’s variety of bountiful fruit trees, including a thick-trunked, violet hotu at left; spindly mango and coconut trees; and three short banana plants with lush, splayed leaves. In the foreground, a man uses a stick to crack a coconut and a family rests in the grass with a sleeping dog beside them. The painting’s coarsely woven canvas, made of a fibrous plant matter (jute), is visible through the paint layer. Cheaper and more readily available than traditional canvas, this support material lends the work a rugged, organic texture.
Text: Art Institute of Chicago (open access). Our full story for this work is coming soon.
Slow Look
- The whole picture Let your eyes wander. Where do they want to rest?
- The light Find the brightest spot. What is it showing you?
- The edges Look at what is half cut off at the borders.
- One small detail Choose one tiny thing and stay with it for a while.
- The whole picture again Step back. Has it changed for you?
About Paul Gauguin
Eugène Henri Paul Gauguin was a French painter, sculptor, printmaker, ceramist, and writer, whose work has been primarily associated with the Post-Impressionist and Symbolist movements. He was also an influential practitioner of wood engraving and woodcuts as art forms. While only moderately successful during his lifetime, Gauguin has since been recognized for his experimental use of color and Synthetist style that were distinct from Impressionism.
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